Some rooms won't take a stock piece. Wrong span, wrong height, a beam in an awkward spot, or you just want a thing nobody else has. That's what this side of the studio is for.
A bespoke piece starts with your room, not a catalogue. We come and look, or you send measurements and a few photos, and Doyun draws something by hand against your actual ceiling height and the light already in the space.
Nothing gets cut until you've signed off the sketch. From there it's the same workshop, the same brass and blown glass as everything else we make — just shaped to a problem only your room has.
Roughly four shapes a commission tends to fall into. Most land somewhere between.
Three metres of pendant over a boardroom, a stairwell drop that reads from two floors down. Big things that ship in sections and assemble on site.
Sloped, beamed, concrete you can't drill freely. We work out the mounting and the drop so it hangs level and dead centre anyway.
An heirloom fixture that needs a sibling, a finish that has to sit with existing brass hardware. We colour-match the patina by hand.
Pendants, sconces and a floor lamp drawn as one family so the light feels deliberate from every seat, not assembled from leftovers.
We see the room or you send sizes, ceiling height and photos. I'll say honestly whether bespoke is worth it or a resized stock piece will do.
You get a sketch with real dimensions and a fixed price, usually inside three days. A 30% deposit books the build.
Around six weeks, give or take the glass. I send a workshop photo before it's crated so you approve the real thing, not a render.
In Busan we hang and aim it ourselves, set the dimmer scenes, and take the packaging away. Elsewhere it ships fully labelled.
The questions that come up before someone commits to a one-off.
Depends entirely on size and how much glass is involved. A resized stock piece is barely more than the stock price. Something drawn from scratch with custom glass can be two or three times that. You'll know the exact number from the quote before you pay anything.
Up to the point we start cutting metal, yes — tweaks to size or finish are normal and free. Once it's in build, big changes mean starting parts again, so we'd talk through cost first. Small stuff we just absorb.
All over Korea, and we've crated pieces to Osaka and Singapore. Larger fixtures travel in sections with an assembly diagram. For the really big ones we'll sometimes come and install in person — we work that out case by case.
It will, because we measured. But if a drop length feels wrong on the day, adjusting it is part of the install, not an extra. That's half the reason we hang things ourselves around Busan.
Runs the shopping tray, the order form and basic security. These are set whatever you choose, and the site won't work without them. No tracking, gone when the session ends.
Remembers small things between visits — that you've already seen this banner, which currency view you picked, whether you collapsed the FAQ. Makes the site feel less forgetful.
Anonymous numbers on which pieces get opened and where people drop off, through a privacy-friendly counter. It tells us what to build more of. Your IP is truncated and nothing's sold on.
Lets us show our work to people who've visited, on a couple of other sites. Off unless you switch it on, and it never touches what's in your basket.